Monday, October 25, 2010

Kutiyattam

All dances of Kerala are fascinating. During a trip to Trivandrum in 1991 I saw a vigorous Kathakali performance. An artist began by applying make up on stage. The others were ready. There were men who had taken female roles. The kathakali dancers gave an energetic performance. Finally the main dancer told us how the paint is removed with coconut oil. The oil leaves their skin preserved despite the thick paint. The Kathakali dancers appear larger than life. Their flowing clothes, large head gear and colourful face makeovers capture our mind and attention. I have a photo … will scan and upload later. I have left behind the photo albums in Bangalore. If you have a digital one you are willing to share, do send it across.


Another dance I recollect is a slow moving Onam dance. I saw 8 dancers in traditional Kerala attire moving around a tall lamp. Sorry no photos. But the scene was mesmerising. I remember they sang their own songs too.

Yesterday we drove down to IIC for a quiet evening. While admiring a photo exhibition we got talking to a gentleman who told us about this Kutiyattam by Kapila Venu. We could hear the drum beats and they kind of drew us into the darkened auditorium. I had never seen anything like this before. The stark stage had three drummers, a lady sitting on the mat and keeping time with cymbals and a wonderfully elegant dancer held the centre-stage.

The drums were very different too. Two large pots had taut sheets stretched across the opening on top. The pots were placed in wooden stands. To use their traditional names, Mizhavu was kept in Mizhavana. Two men played on these by beating lightly on the stretched sheet. A man stood with an ornate drum hanging from his left shoulder. A tall brass lamp was the only decoration.

Radiant in a typical white with gold border saree Kapila held us captive. Live music by the percussionists was enthralling. Kapila danced the story of Sita’s exile in the forest, the birth of the twins, the meeting of Luv-Kush with Rama and her trial by fire. With no song or words to help her, with just the rhythmic beat of drums, Kapila with studied attention and grace enacted, danced the entire story. It was truly amazing.


IIC hosts a number of such cultural events. the entrance is free and the experience uplifting.
You know sometimes we see a dance and can somehow never forget it. Have you had such a memorable moment? Do tell me.

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